“Two Hot Peppers” oil on canvas panel, 5×7″ available at my Etsy store.
Another painting of these little Habanero peppers. I’m not sure I’m doing justice to the rich color of these peppers. But I do like how their little stems make the bowl look sort of like a little bug.
“Terraces” 18×36″, oil on canvas
This is a studio painting based on this plein air painting. The longer format gave me the opportunity to really develop the terraced vineyard behind the oak, and the sense of the hills receding into the distance. The painting initially came together very quickly, and then sat on my easel for a few days while I contemplated the risk of loosing the spontaneity of the first few layers. I did eventually go in and make some adjustments.
“Habanero” oil on canvas panel, 5×7″, available at my Etsy store.
The white dish is one of the items I picked up during my Salvation Army hunt for new still life props. I picked it because I thought the reflective surface on the inside would work well, and I was attracted to the subtle basket weave pattern on the outside. What clinched the deal is the name of the pattern printed on the bottom of the bowl: “Totally Today”. I mean, like, totally! Today!
I watched “Rivers and Tides”, a documentary about Andy Goldsworthy last night. If you don’t know his work he does sculptures from materials he finds on site. The works are often ephemeral, and quite elegant. There was one sequence in the film where he was building an object from stones on the beach, racing the tide, and it collapsed on him four times. After the fourth collapse he said with each attempt he’s learning more about the stone, but it still has more to teach him. I feel that way about this bowl. It still has a lot more to teach me.
“Glass, Wood, Garlic” oil on canvas panel, 5×7″, SOLD.
This combination was a bit of a fortuitous accident. I was moving objects around in the studio trying to find the right background for this head of garlic, and noticed the light shining through the edge of the glass. I’m rather happy with the combination of angles and reflection with the organic form of the garlic.
“Towering Eucalyptus” oil on canvas, 24×24″
I apologize for the photo quality – this is off my easel and the lighting isn’t set up for photography. I generally use my scanner for small paintings, but large paintings require a sunny day in the afternoon when I’ve got the perfect shady photo spot in the back yard. Much easier than setting up the photo lights for shooting indoors. I’ve been working on this painting for a while now and wanted to share some larger work in progress. I thought it might be done, but looking at it again I’m not entirely sure. What do you think?
When I first started painting landscapes, I was very conscious of not wanting to paint Eucalyptus trees. Eucalyptus trees aren’t native to California, and they release compounds that inhibit the growth of any native species that might try to grow near them. So as a botanist, I think of them as noxious weeds. And the fact that I’m allergic to them doesn’t help win my affections. But they’re pretty ubiquitous around here. They were planted extensively as wind breaks around farms and ranches, and they’re very difficult to remove. As I’ve been painting more barns and agricultural themes, the Eucalyptus have been sneaking in. And I have to admit they have a certain grandeur to them.
“Three Tomatoes” oil on canvas panel, 5×7″, available at my Etsy store.
This painting combines my new fascination with placing items on a reflective surface, and my steady love affair with this little Japanese dish.
“Morning Light” oil on canvas panel, 5×7″ [$75+shipping]
“Shady Spot” oil on canvas panel, 11×14″ [$425+shipping]
I did this painting in roughly the same location as this one, but focused on a different oak tree. I wasn’t really happy with it once I got it home, so I did a little color adjustment in the studio. I think this is another example of a painting that really wanted to be larger than it is. I have another large canvas prepped, and I think I’ll try using this plein air painting as a study for another studio painting.
Yesterday I went to the local thrift shop to look for more still life props. I can only paint the same set of bowls with different fruits and vegetables so many times, so I was hoping to find some new inspirations. It was oddly depressing looking through all the discarded knick knacks and dishes, but I did find a very nice reflective vase, and a couple of good dishes. I can see that collecting props could be a life long venture. I’m envious of the array of items that Robert Chunn paints in his lovely still life paintings.
I’ve also gotten notice that I’ve been accepted to the Los Altos Art and Wine Festival in July. So far I’ve been accepted to every show I’ve applied for, which is both gratifying and intimidating. My summer is starting to look very busy.
“Leaning Shack” oil on canvas panel, 5×7″, available at my Etsy store.
I packed a lot of landscape into this little painting. I think this really wanted to be bigger, but I didn’t have a larger panel with me. Just means I’ll have to go back to this location.
“Pump House” oil on canvas panel, 11×14″ [$425+shipping]
I did this painting last week, and only today realized I hadn’t shared it on my blog. This little pump house was in the middle of a vineyard near Healdsburg, and it was the cast shadow of the eaves that initially caught my eye. This time of year the vineyards are just starting to leaf out, and the foliage is the most delicate green.